BMW Motorrad “Storied” : Three Branded Docs for a 100-Year Icon

Three organic films. Three authentic riders. A century of BMW Motorcycles—directed/edited by Roberto Serrini, produced by The Simple Machine.

The Brief

BMW Motorrad USA needed a cinematic celebration worthy of a 100-year milestone—something more human less hardware, and more evergreen than a single hero spot. Partnering with boutique agency The Simple Machine (founded by Iron & Air’s Adam Fitzgerald and Gregory George Moore), the contacted me to develop Storied: 100 Years of BMW Motorcycling,” a three-part branded documentary series profiling creators whose lives orbit BMW motorcycles. (thesimplemachine.co,Bike EXIF)

Strategy

We skipped the hard sell and went story-first: ride culture, design craft, and the emotional gravity of real rider’s story that seamlessly connected to their cherished BMW’s just as our audience did. That meant real short docs that share stories worth telling. Story engines powered by personal stakes, authentic perspective and true love, not ever product features, sales jargon, or brand awareness.

Distribution leaned into contextual authority, where an audience already obsess organically shared these stories which gave them the authentic authority they deserve.

Organic distribution channels:
• Organic social media authority: Films were broken into several formats to be easily shared on non-brand social media channels that had a built in invested audience. Each subject shared with their personal audience, as did the filmmakers, and other bike-centric platforms like BIKEEXIF and The Vintagent.
• International Film Festival Run: Editing all three films together and framing it as a documentary that asks the questions “Why?” do we ride, we were premiered in over 15 international festivals winning multiple awards from best documentary, inviting a whole new demographic into the BMW ecosphere.
• Limited Edition Print Companion: Working with Iron and Air’s founders we created a beautiful limited edition collectable print companion that highlighted each individual with a strong connection to the rich history of BMW for their centennial celebration. This led to grey market interest in the book for die hard brand aficionados that brought additional sensationalism to the project.

Why it’s right for automotive:

• Credibility > claims. Let trusted editorial voices carry the message.
Evergreen value. People re-search BMW’s heritage every launch cycle; centennial stories perform long after flight dates.
Audience fit. Moto-centric Film Festivals, Serrin+TSM, and Bike EXIF brings high-intent moto readers vs. broad social spray.

Like all my work, it is about extreme intention. I have an authentic love affair with motorcycles and had to bring a real connection to the screen that wasn’t about brand but all about story. I’ve shown my organic love for two wheels many times with Indian Motorcycles and Honda Gold Wing, to intimate branded docs on Erika Bean for REV’IT and Peter Boggia for Moto Guzzi, to even irreverent films about The Wall of Death or a Flavien Berger music video featuring 25 luxury brands including an ultra rare $250k Ducati. The common denominator is a cinematic experience that live somewhere between reportage, emotion, and fully lived experience.

BMW Motorrad publicly announced record global sales during the centennial year. Coincidence? No, we don’t think so either.

What This Proves (for brands)

  • A turnkey director/editor who can operate lean without losing craft is ideal for docu-style brand storytelling in automotive/motorcycle.

  • A strategic editorial distribution acumen that packages content as credible journalism moves the right audience the right way.

  • Global resonance (US/EU/Asia) via culture-first approach instead of spec sheets can mean record breaking sales worldwide.

The films were strategically teased online on multiple social platforms, both in traditional and vertical formats which primed the pump for BMW “Storied” success.

A non-traditional BTS for BMW “Storied” shoot was compiled of daily stories, reels and social posts while the team was in production. The recap brought in fresh eyes from the filmaking community.

Results

Press/social proof: Bike EXIF ran all three chapters with explicit credit to Serrini as director/editor and to The Simple Machine as the creative engine behind the series, published Aug 23, Sept 6, and Sept 13, 2023.

Campaign components & reach (partner case): A Daze Media case study on the “BMW ‘Storied’ Series” reports 3M+ impressions, 20K+ page views on Bike EXIF, and a 100-page custom book—useful indicators of the editorial arm’s distribution footprint. (Reported by Daze Media; included here as third-party campaign component data.)

YouTube view rate averaged ≈30–35%, a proxy for interest when versions run in video placements. Store Growers
30-sec video completion rates exceed 90% on premium inventory; strong storytelling sustains attention. Marketing Charts
CTV/digital video: ~64% of automotive video impressions now run on CTV; interactive creative can drive ≥2.8× engagement—relevant if versions extend to CTV.

Execution

Serrini’s massive doc experience forged a lean, run&gun documentary build” the BMW page notes as I directed, shot, and edited the series with The Simple Machine producing. That single-vision pipeline keeps tone, pace, and story POV cohesive across three different creators, and delivery at unbelievable speeds under one week. Director-editor workflow meant faster resets and less crew overhead—useful in working studios and tight urban spaces.

On-camera we favored real-world spaces (studios, workshops, road miles) over stages to keep it honest. Subject-driven interviews anchor the spine; intercut with purposeful ride footage that shows BMWs as living objects, not showroom props keeping force-fed branding to a minimum to maximize authenticity. Locations tracked to each subject’s base—e.g., Matias Corea/Myth Motor (NY), Yve Assad (Nashville), Christopher Myott (New Hampshire)—to visually ground identity, per Bike EXIF.

Cuts prioritize story cadence: subject confession → tactile process → ride release. Grades stay naturalistic (skin, rubber, metal) with restrained contrast—letting the BMW silhouette read without ad-gloss. Sound design rides ambisonic textures (shop tools, carb clatter, wind shear); score supports, never shouts. Combine with Serrini’s signature style of industry accolade editing (two ADC Gold Cubes, One Show Silver Pencil) and you get films people don’t just watch, but act on.

3MM

Total Impressions Served

362

Hours On Content

20k+

Unique Page Views

210k

Bikes Sold 2024

Role Name / Company Client BMW Motorrad USA (Bike EXIF) Agency The Simple Machine (founders: Adam Fitzgerald, Gregory George Moore) (thesimplemachine.co) Production The Simple Machine (thesimplemachine.co) Director Roberto Serrini (robertoserrini.com) Director of Photography Director-shot (per project page) (robertoserrini.com) Editor Roberto Serrini (Bike EXIF) Talent/Subjects Matias Corea (Myth Motor); Yve Assad; Christopher Myott (Bike EXIF) | Keyword Map: automotive director, motorcycle director, car commercial director, branded film director, automotive filmmaker, turnkey director/editor, tech, travel, hospitality, tourism, editor-director, docu-style commercial, BMW branded film, moto storytelling, APAC automotive video

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