Travel — Storytelling Built on Experience

I am an Editor-at-Large for Get Lost Magazine and have been creating travel content for nearly two decades. Much of that work has been produced solo, spanning the globe to remote and often hard-to-reach locations, with a focus on sharing the world honestly and without polish for polish’s sake. The output takes many forms. Award-winning documentary films, written editorial, photography, and social-first storytelling all coexist within the same body of work. The common thread is not format, but intent.

Every destination demands its own visual language. The way a story is told in a remote corner of the world should not look or feel the same as a cultural event in a European city. For that reason, each project is approached with a distinct look, rhythm, and tone, ensuring the work feels native to its environment and naturally shareable across platforms.

Below is an example of a social media campaign created for ENIT, promoting the Feste dell’Opera in Brescia, Italy. The campaign was designed to celebrate place, culture, and atmosphere while translating a traditional event into social-first storytelling that felt current, accessible, and alive. I even coined a new catchphaze “Brescia is just so brescious”. Hashtags are so hot.